Call for book chapters released Nov. 1, 2017:

Craft as Political Action in a Nation Divided

Photo by Hinda Mandell: The author's crochet faces outside the Susan B. Anthony Museum & House in Rochester, New York, during winter 2017.

Photo by Hinda Mandell: The author's crochet faces outside the Susan B. Anthony Museum & House in Rochester, New York, during winter 2017.

 
 

Call for chapter contributors:

Description of the proposed edited collection:

This proposed volume, an edited collection, is committed to investigating how people create handicrafts and share them publicly as a statement reacting to political policies. At the heart of this volume is an exploration of craft as action and a means of expression relating to unfolding current events throughout U.S. history. Craft activism “marries” a DIY, grassroots makers’ ethic with commemorative culture to reveal a unique relationship that is democratic, visual and rooted in the desire for social change. Contemporarily, crowd-sourcing on social media plays a significant role in these acts of craft + activism and its mechanisms will be explored in this book.

 

This collection will feature essays that explore how craft has become a tool – a medium in both the artistic and communication sense – of the Resistance movement as a platform to express dissent and to build community among committed activists and those entering activist circles for the first time. This volume is also committed to exploring the role craft has played in other resistance movements and periods of unrest in the U.S.

 

In this proposed volume, we can learn what happens when craft is transformed into an interpretive medium that breaks free from its practical and hobbyist formations. Instead, for those involved in “craftivism,”[1] tools of the trade, including yarn, become a vehicle for making statements, crafting commentary and putting into conversation dialogues about gender, race, and its complicated march toward progress. After all, the definition of yarn – “interlocked fibers”[2] – represents a keen metaphor as a medium that reflects our own social, human fabric.

 

Chapters that make linkages between craft activism and social justice movements throughout history, and that explore issues of race and gender, will be especially welcome.

 

This volume is also interested in ways that museums, history and arts organizations can leverage contemporary craft activism as a tool for community engagement.

 

Potential essays can explore:

 

·      Craft and activism efforts as a response to, or in opposition of, U.S. government policies

·      Political histories of craft during various social-justice movements in U.S. history

·      An investigation/exploration of how craft disrupts political power throughout U.S. history, or at specific points in U.S. history or contemporarily

·      How the gendered nature of craft allows for subversive work and interpretations of craft objects and craft movements

·      Racial histories of craft in social justice movements

·      How museums, history organizations and arts organizations can use crowd-sourced and community-based craft projects to engage with the public and showcase their work around particular topics

·      How social media platforms cultivate a community and safe space for craftivists – who don’t know each other IRL – engaging in work throughout the U.S. and abroad

·      Hashtag Craftivism as consciousness raising activities

·      How media coverage presents a gendered depiction of the current craft “craze” as “not your grandma’s knitting circle”

·      Examples of post-pussy-hat craft projects in localized settings

·      Examples of craft and action as tools that solve social problems or raise awareness about these efforts

·      Conversations with people leading and engaged with the Craftivist movement today

·      Examples of Craftivist action in the U.S. connecting to themes of women’s rights, immigration, health care, disability rights, among others.

·      Exploration of the constructed ‘whiteness’ of craft through images of white knitting circles and white grandmas engaged in craft

·      Contemporary efforts by the Yarn Mission – “knits for black liberation” – to “center Black Folks” through yarn work[3]

 

Format: Potential chapters can include scholarly studies, first-person essays, magazine-style features and photo essays. The book’s editor welcomes contributions from academics, activists, essayists and those in engaged in craft-centric activism.

 

Deadline: Please email Hinda Mandell (hbmgpt@rit.edu) by Nov. 30 expressing an interest in contributing a chapter. Submissions indicating interest past this date will be considered but early submissions of interest are most welcome. Submissions indicating interest should include a chapter title, a 200-word (approximately) chapter abstract and an author bio. Questions are welcome at any time and should be directed to Hinda Mandell. All scholarship and submissions should be previously unpublished and not under consideration elsewhere.

 

Editor Bio: Hinda Mandell, Ph.D., is associate professor in the School of Communication at Rochester Institute of Technology. She is author of the Praeger book Sex Scandals, Gender, and Power in Contemporary American Politics (2017) and coeditor of the book Scandal in a Digital Age (Palgrave Macmillan 2016). Her co-edited book, Nasty Women and Bad Hombres: Historical Reflections on the 2016 Presidential Election, is currently under review with University of Rochester Press. She is also in the research phrase of a new project, Crochet Activism and Yarn Graffiti in Susan B. Anthony and Frederick Douglass’ Hometown. A frequent blogger for The Huffington Post and NPR outlets, Mandell's essays on topics ranging from politics, gender and parenting have appeared in Politico, Boston Herald, Chicago Tribune, USA TODAY, and the Los Angeles Times. She is a former correspondent for The Boston Globe. Her academic writing has been publishedin Women’s Studies in Communication, Explorations in Media Ecology, and Visual Communication Quarterly, Journal of Feminist Scholarship, among other outlets. Her website is omghinda.com. She is on Twitter: @hindamandell and @crochetactivism

 

 

 

 

 

 

[1] Betsy Greer, Craftivism: The Art of Craft and Activism, Arsenal Pulp Press: Vancouver, 2014.

[2] “Yarn,” Wikipedia, accessed July 10, 2017, https://en.wikipedia.org/wiki/Yarn.

[3] Homepage,  http://theyarnmission.com/, accessed October 3, 2017.